Neck Materz"als and Construction Neck Shape and Contour. Į How Your Guitar Works I: Where the Action Is Action and Setup. lVtJod Naming Conventions Table : The Major Guitar Woods Quartersawed /lVtJod Bookmatched Tops and Backs Sets. Seasoning and Milling Solid Wood Seasoning. Laminate Necks and Headstocks Materials and Tone. Laminate Construction Stability and Durability Detecting Plywood. O Wood, Finish, and Glues Plywood and Solid Wood. Harp Guitars and Other Oddities Seven String~ Ten Strings, and More. The Maccaferri ("Django") Guitar Synth Guitar. Solidbody and Semi-Hollowbody Electrics Hawaiian and Other Lap-Style Guitars. The Twelve-String Guitar The Classical Guitar The Flamenco Guitar. , It Takes All Kinds Folk Guitar: The Steel-Strung Solidbody Flattop. The Nostalgic Baby Boomer Market New Sounds for a New Generation. The Early Years of the Steel-String Guitar. The Development of the Modern Classical Guitar. O The Guitar Through History Ancient Origins. ©2000 by Larry Sandberg Foreword ©2000 by Artie Traum All righ ts reserved Second edition Published by A Cappella Books An imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-418-8 Printed in the United States of America 5 4 3 2 1įoreword. MLlOI5.G9 S3 2000 00-031788 787.87'19-dc21Ĭover photo: Guitar and bass guitar by Harry Fleishman Photo by John Youngblut, courtesy Harry Fleishman Cover and interior design: Lindgren/Fuller Design Line art by Fred Hickler, based on computer drawings by Larry Sandberg Library of Congress Cataloging-in-Publication Data Sandberg, Larry The acoustic guitar guide: everything you need to know to buy and maintain a new or used guitar / by Larry Sandberg-2nd ed., rev. I can send you photos and even a video I recorded using it 17 years ago.EVERYTHING YOU NEED TO KNOW TO BUY AND MAINTAIN A NEW OR USED GUITAR It is in great condition except for dirty rocker switches. The back of the headstock had a small metal Made in Japan tag held on with tiny nails. It has the Guyatone G logo on the headstock and the truss rod cover says Tokoyo Sound Co.
Where it is different from all the others I have seen is the two 3 position rocker switches on the upper horn. It has 2 single coil pickups with massive slugs, trem arm, 1 vol and 1 tone knob in the usual spot. I am wondering if I have one that was not mafe for export. I have been searching the web for a couple weeks, and can’t find a single photo, drawing or ad for this one. I am trying to identify a Guyatone that I got at a swap meet in the S.F. I have had many guitars over the last 47 years. Even in its original state its value is only about 1,500 at best. Now before someone has a hissyfit that i’ve ruined a “vintage” guitar, and diminished it’s value, remember it had already been painted five times before.
An outstanding job! Shoot, ol Wilson Picket hisself played this guitar back in 66 or67. I just wish he could have seen the finished guitar. passed and he did get to see the oak veneer and he really liked it. I had started the refinish project before Charles. Never stripped! Just sanded and a new color applied. This guitar had been re-painted five times previously.
I replicated the pickguard in carbon fiber. I refinished the guitar by veneering the top in oak and a sunburst finish was added. I’m a short fella, as are my extremities. I’ve been aquainted with this guitat since 1965. I have (and cherish) a1957 Fender Duo-Sonic, that was “willed” to me by a very dear friend who passed on a few years ago.
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